Showing posts with label Movies. Show all posts
Showing posts with label Movies. Show all posts

Saturday, October 18, 2014

The Cut -- An impressive journey, but less impressive film




Faith Akin's epic tale of hope and survival, set in the time of the Armenian Genocide amidst the Great War and the resulting diaspora all over the world. I watched 'The Cut' lately during the London Film Festival, and found it worth the time in general and definitely had its good moments. It did not go for over-sentimentality and didacticism but rather showed an impressive journey of search and survival. For me, the wide shots in the desert and in the streets of Cuba were special, and there was very good work with costumes and set decoration. Some might argue that Armenians and Turks speaking English felt unnatural but it was totally justified for me. 

However, the film fell short in several aspects, and during viewing I constantly had the feeling that much more could have been done with the powerful story that could have greatly enriched and added more depth to the end-product. The poor screenplay dialogue was the most obvious shortcoming in the film, and while its over-simplicity can be regarded by some as appealing minimalism, it remained a huge disappointment. One scene epitomised the problem here, when the protagonist discovered that his daughters were still alive, his friend shouted exuberantly with no more than "This is good .. this is good ". It is possible here that using the English language presented a problem. The contrived ending was, to a lesser extent, irritating as well but the slow camera work saved it. I found a particular scene very interesting, when the Turks were evacuating the Syrian city and a Turkish boy got injured by a thrown stone, and the protagonist's reaction, and I wish there were more of these side stories, like watching Chaplin's 'The Kid'.

In addition to screenplay, several techniques could have added more to the story; exposition by flashbacks at different parts of the journey (some dreams were deployed but to a limited effect), voice- overs contemplating the condition of humanity at the time of war. A good soundtrack could have made a big difference as well, and in such a film I think dispensing of such a poor soundtrack altogether could have yielded a better result and added a minimalistic touch, although of course this would have been difficult with the protagonist speech handicap and the lack of a narrator. 

The challenging task for the main actor, to rely entirely on facial expressions and body gestures because of handicap early in the narrative, was met by a solid performance, but could be easily overlooked by general audience because of the shortcomings of the other narration elements.

An impressive story of survival, and a very important yet overlooked subject in recent history compared with others of even less scale, but less impressive film. The beautiful shots and powerful story were not enough to elevate it to the epic legendary status, but it is still worth watching.



Monday, June 2, 2014

Maradona by Kusturica -- If Jesus stumbled, Why shouldn't I too?




Kusturica's Maradona certainly had its moments like the flashback montage during Maradona's drunken singing of "La Mano de Dios/Hand of God" with this family, and the egotistical comments from Maradona can be always entertaining. But there were way too much of Kusturica that ruined it for me; excerpts from his films and his mundane narration had a negative effect unless you're a massive fan of his works.
The irregular narration is more than justified; almost everyone knows who Maradona is and a chronological biography would have been quite boring. I think plunging head first into Maradona's world and Latin American revolutionary sentiment is the best way to get there. Yes Maradona is obviously egotistical and megalomaniac, and yes some of his political views can be easily refuted by a schoolboy but yet the mood can be quite entertaining, and let's be frank, if you were him, watch the film and tell me how can all of that surrounding madness from the outset, all the fan adulation not only in Argentina but arguably anywhere you go, not get into your head.
Worth watching but not a masterpiece, neither in documentary, or sport- documentary, or even Maradona-documentary.




Sunday, February 24, 2013

Films of the year


Michael Aneke's minimalist masterpiece 'Amour' was truly remarkable, Tarantino's 'Django Unchained' had all the entertaining madness you'd expect from him, the Terrence-Malick-style surrealism in 'Beasts of the Southern Wild' was surprisingly well-crafted and the engaging journey of Ang Lee's 'Life of Pi' was a visual pleasure, Kathryn Bigelow's thriller 'Zero Dark Thirty' was even better than 'The Hurt Locker' which swept the Oscars few years ago (it has the potential to become an American classic for post 9/11 period) and 'Argo' was probably even better, 'Silver Lining's Playbook' was a pleasant feel-good movie, and Spielberg's 'Linclon' was a taut political thriller .. but Tom Hooper's magnificent achievement 'Les Miserables' is my favorite film this year despite a few flaws; it wins the Kirollos' award for picture of the year!





Friday, August 26, 2011

Greatest Movie Themes -- The Motorcycle Diaries -- De Usuahia a la Quiaca



The mesmerizing music by Gustavo Santaolalla from the soundtrack of "Diarios de Motocicleta"







Tuesday, May 3, 2011

You're just a kid -- "Good Will Hunting" Favorite Scene



A favorite scene from the great movie "Good Will Hunting" .. beautifully written, and brilliantly performed by Robin Williams:

Sean: Thought about what you said to me the other day, about my painting. Stayed up half the night thinking about it. Something occurred to me... fell into a deep peaceful sleep, and haven't thought about you since. Do you know what occurred to me? 
Will: No. 
Sean: You're just a kid, you don't have the faintest idea what you're talkin' about. 
Will: Why thank you. 
Sean: It's all right. You've never been out of Boston. 
Will: Nope. 
Sean:
 
So if I asked you about art, you'd probably give me the skinny on every art book ever written. Michelangelo, you know a lot about him. Life's work, political aspirations, him and the pope, sexual orientations, the whole works, right? But I'll bet you can't tell me what it smells like in the Sistine Chapel. You've never actually stood there and looked up at that beautiful ceiling; seen that.  
If I ask you about women, you'd probably give me a syllabus about your personal favorites. You may have even been laid a few times. But you can't tell me what it feels like to wake up next to a woman and feel truly happy. You're a tough kid. 
And I'd ask you about war, you'd probably throw Shakespeare at me, right, "once more unto the breach dear friends." But you've never been near one. You've never held your best friend's head in your lap, watch him gasp his last breath looking to you for help. 
I'd ask you about love, you'd probably quote me a sonnet. But you've never looked at a woman and been totally vulnerable. Known someone that could level you with her eyes, feeling like God put an angel on earth just for you. Who could rescue you from the depths of hell. And you wouldn't know what it's like to be her angel, to have that love for her, be there forever, through anything, through cancer. And you wouldn't know about sleeping sitting up in the hospital room for two months, holding her hand, because the doctors could see in your eyes, that the terms "visiting hours" don't apply to you. You don't know about real loss, 'cause it only occurs when you've loved something more than you love yourself. And I doubt you've ever dared to love anybody that much. 
And look at you... I don't see an intelligent, confident man... I see a cocky, scared shitless kid. But you're a genius Will. No one denies that. No one could possibly understand the depths of you. But you presume to know everything about me because you saw a painting of mine, and you ripped my fucking life apart. 
You're an orphan right? You think I know the first thing about how hard your life has been, how you feel, who you are, because I read Oliver Twist? Does that encapsulate you? Personally... I don't give a shit about all that, because you know what, I can't learn anything from you, I can't read in some fuckin' book. Unless you want to talk about you, who you are. Then I'm fascinated. I'm in. But you don't want to do that do you sport? You're terrified of what you might say. Your move, chief.








Saturday, April 30, 2011

عين شمس وهليوبوليس -- مصر قبل الثورة



                  


فيلمى "عين شمس" و"هليوبوليس" من أفضل ماشاهدت فى الفترة الأخيرة من الأفلام التى تعبر بصدق شديد عن مصر ما قبل ثورة يناير .. الفيلمان المستقلان يصلحان لتأريخ هذه الفترة وهموم جيلها .. وفيلم "هليوبوليس" ربما يكون فيه الرد على سؤال حير كثيرين عن سبب اشتراك طبقات مستريحة ماديا فى المظاهرات ورغبتهم الشديدة فى التغيير والتى لم تقل عن رغبة الطبقات المطحونة.

الكاميرا المستقلة تتنقل بحرية فى عين شمس ومصر الجديدة .. تحكى قصة مصر التى سرقت منا .. ترصد أحلام سكانها المجهضة ومشاعرهم المليئة بالحزن والإحباط والحيرة، وحتى الوحدة برغم الزحام الذى يخنق الجميع .. الفيلم البديع "عين شمس" كان أفضل ككل برأيى أما "هليوبوليس" فبرغم أنه قد عابه كثرة التقطيع فى المشاهد الا أن الحالة السائدة من رثاء مصر الجديدة ذكرتنى برثاء الاسكندرية فى فيلم داود عبد السيد الرائع "رسائل البحر".

أتمنى أن تعرض هذه الأفلام باستمرار فى المستقبل لتحكى كيف عشنا وعاشت مصر قبل الثورة، وتعالج ضعيفى الذاكرة وهم كثيرون.



Wednesday, March 23, 2011

Friday, December 31, 2010

A Look Back at my Favorite Movies of the Decade (2001-10) -- 2/3




2003


Big Fish


Directed By: Tim Burton

"An ebullient tall tale about the magic of imagination and the power of myth."
Lessons of Darkness, Nick Schager

A truly emotional and magical masterpiece by Tim Burton

*****

Mystic River

Directed By: Clint Eastwood

"River leads moviegoers on a suspense-filled, sometimes painful adventure marked by great performances."
Chicago Sun-Times, Roger Ebert

A powerfully-acted movie; incredible performance from all cast

*****

City of God (Cidade De Deus)

Directed By: Fernando Meirelles, Katia Lund

"Easily the best gangster flick since Goodfellas."
Atlanta Journal-Constitution, Bob Longino

One of the best gangster movies ever; full of energy and brutal viloence and above all, based on a shocking true story

*****

Finding Nemo

Directed by: Andrew Stanton, Lee Unkrich

"...of those rare movies where I wanted to sit in the front row and let the images wash out to the edges of my field of vision."
Chicago Sun-Times, Roger Ebert

My all-time favorite animated movie; visaully and emotionally rich, and entertaining for the whole family

*****

Kill Bill

Directed by: Quentin Tarantino

"...no one combines tension and release, violence and humor, dialogue and action and music and pictures the way (Tarantino) does."
Chicago Tribune, Mark Caro

Another insanely entertaining and violent epic by Tarantino and remarkable performance by Uma Thurman

*****

I'm Not Scared (Io Non Ho Paura)

Directed by: Gabriele Salvatores

"The beautiful photography will have you booking flights to Sicily, while the unsentimental rites-of-passage drama can't fail to touch your heart."
Empire Magazine, Miles Fielder

An Italian masterpiece by Salvatores, with a very profound finale.

*****


2004


Eternal Sunshine of the Spotless Mind

Directed by: Michel Gondry

"...a radical example of Maze Cinema, that style in which the story coils back upon itself..."
Chicago Sun-Times, Roger Ebert

One of my favorite romantic movies; a fresh, clever and imaginative one with outstanding performances from Carrey and Winslet

*****

Million Dollar Baby

Directed by: Clint Eastwood

"...a masterpiece, pure and simple, deep and true."
Chicago Sun-Times, Roger Ebert

One of my all-time favorite movies; perfectly written by Paul Haggis with great dialogues and brilliant performance by all actors

*****

The Motorcycle Diaries (Diarios de Motocicleta)

Directed by: Walter Salles

"...beautiful, with strong acting, breathtaking location cinematography and a vibrant story"
Reno Gazette-Journal, Forrest Hartman


An entertaining and thought-provoking journey with the young Che Guevara with very beautiful sceneries

*****

Hotel Rwanda

Directed by: Terry George

"...a calm, riveting ground-zero look at a terrible slice of history."
Chicago Tribune, Michael Wilmington

A personally real eye-opener for the horrible events that took place in Rwanda in 1994 and how the whole world shamefully turned its face away then

*****


2005


Crash


Directed by: Paul Haggis

"...literate, engrossing and occasionally funny look at race relations in Los Angeles."
Atlanta Journal-Constitution, Eleanor Ringel Gillespie


The racial issues depicted in this movie are expressed so truthfully that they can be applied everywhere in our lives not just in Los Angeles

*****

Cinderella Man

Directed by: Ron Howard

"Here is a movie where a good man prevails in a world where every day is an invitation to despair..."
Chicago Sun-Times, Roger Ebert

A truly moving and inspirational movie by Howard-Crowe partnership, not as brilliant as "A Beautiful Mind" but definitely worth booking a place in this list




Sunday, December 26, 2010

A Look Back at my Favorite Movies of the Decade (2001-10) -- 1/3




2006



El Labyrinto Del Fauno (Pan's Labyrinth)

Directed by: Guillermo del Toro

"...a transcendent work of art."
Boston Globe, Wesley Morris

Special movie, one of my all time favorite and a must-watch for fantasy fans

*****

Flags of our Fathers

Directed by: Clint Eastwood

"A unique, challenging look at World War II -- from the battlefield of Iwo Jima to hero worship on the homefront."
Atlanta Journal-Constitution, Bob Longino

A great anti-war movie and another brilliant Eastwood film

*****

Sweeney Todd: The Demon Barber of Fleet Street

Directed by: Tim Burton

"...a dark revenge tragedy with heartbreak, mayhem and bloody good meat pies."
Chicago Sun-Times, Roger Ebert

My second best musical of the decade after Moulin Rouge, a yet-another great product of the Depp-Burton partnership

*****


2007


300


Directed by: Zack Synder

"...the "Citizen Kane" of cinematic graphic novels."
Chicago Sun-Times, Richard Roeper

The insanely-faithful adaptation of Frank Miller graphic novel was really enjoyable

*****


2008


The Dark Knight



Directed By: Christopher Nolan

"...arguably the moodiest and most adult superhero motion picture ever to reach the screen..."
ReelViews, James Berardinelli

The best superhero movie so far, and a remarkable performance by Heath Ledger

*****


2009


Inglourious Basterds


Directed by: Quentin Tarantino

"Quentin Tarantino's Inglourious Basterds is a big, bold, audacious war movie that will annoy some, startle others and demonstrate once again that he's the real thing, a director of quixotic delights."
Chicago Sun-Times, Roger Ebert

Another crazy Tarantino movie, may be his best one since Pulp Fiction .. Or hmm, may be since Kill Bill

*****


2010


Inception



Directed by: Christopher Nolan

"A devilishly complicated, fiendishly enjoyable sci-fi voyage across a dreamscape that is thoroughly compelling."
Hollywood Reporter, Kirk Honeycutt

Unique experience, and like another earlier Nolan movie "Memento", has to be watched more than once





Wednesday, December 8, 2010

Greatest Movie Themes -- Rocky -- Going the Distance



One of the greatest movie themes of all-time .. Going the Distance by Bill Conti for "Rocky"








Saturday, July 12, 2008

(Abril Despedacado) الدائرة



-->"أبي يقول إنها العين بالعين .. عين منهم مقابل عين منـَّا
وهكذا .. إلى أن يصبح الجميع عميـاناً"





-->
شاهدت مؤخرا الفيلم البرازيلى الرائعAbril Despedacado) ) أو (أبريل المحطم) والذى عرض فى أمريكا تحت اسم (Behind The Sun) .. حيث يدور الصراع بين عائلتى (بريفيس) و (فيريرا) على الأرض فى إحدى القرى البرازيلية فى بدايات القرن العشرين .. وحيث تنتشر عادة الثأر المقيتة فتقضى على الأخضر واليابس.
والثأر هناك يتم بطريقة فريدة حيث تمنح أسرة القتيل هدنة للقاتل حتى يكتمل القمر بدرا ويتحول لون قميص المقتول من الأحمر للأصفر بعدها يحل دم القاتل الذى يرتدى شارة سوداء على ذراعه منتظرا نهايته المحتومة.



أحداث الفيلم تدور حول (تونيو) من عائلة (بريفيس) الذى ينفذ ما طلب منه وهو الانتقام من قاتل أخيه .. وبعدها يصبح أمامه شهرا تقريبا حتى يُقتَل هو الآخر .. نعيش مع (تونيو) هذا الشهر الذى يعيد فيه النظر لحياته وجدواها ويعيد اكتشاف نفسه وما حوله ويخفق قلبه بالحب، ونتأمل فيه جدوى الصراع بين العائلتين ودائرة القتل بينهما والتى يشبهها الفيلم بالثيران التى تدور حول معصرة القصب بلا نهاية وتعود فى كل مرة الى نقطة البداية.


خلال هذا الشهر تتأرجح مشاعر (تونيو) بين الخوف وترقب مصيره المحتوم، وبين التمرد على التقاليد الظالمة التى تغتال أحلامه .. ونرى أخيه الصغير (باكو) الذى يتوق أيضا للحرية والتخلص من هذه القيود.
آداء تمثيلى مبهر من كل طاقم التمثيل .. مشاهد قمة فى الروعة والعذوبة والابتكار أيضا، كان أجملها مشاهد أرجحة تونيو وباكو اللذان يرغبان فى التحليق بعيدا عن كل هذا الحزن والبؤس.